[read online Best] Pamuk, O: Innocence of ObjectsAuthor Orhan Pamuk – Z55z.co

The museum book is a treat for everyone who cherished reading the novel It contains beautiful images of each box of the actual museum, and explains a little about the objects, their significance and their context It does not really include passages of the book but oh, it is a treat Presents nice on the salon table, the museum adds another dimension to fictional models Recommended for passionate lovers of the novel. What a beautiful book The pictures and accompanying text all give insight into Orhan Pamuk s Istanbul Will be sure to add the museum to my must do list when I visit Istanbul. Orhan Pamuk s Museum of Innocence, published in 2008, is the story of the star crossed love affair is there any other kind in literature of Kemal and F sun The story, which takes place over thirty years, ends not with a fairytale but with a Museum in which Kemal curates all the artifacts of his love, right down to the quince grater used by his object s mother, and the butts from cigarettes that F sun herself smoked.This is not so much a novel about love as it is about obsession It is a novel of fetish in the form of inhabited, personfied and collectible objects And it is a novel of Istanbul s modern history as lived by the characters, and as symbolized by the objects that pass through their hands, are lost, and then collected by Kemal in a desperate attempt to hold on to a certain time and feeling, as impossible as that proves to be Before picking up this most recent work of Pamuk, The Innocence of Objects the catalogue to the real world Museum of Innocence which opened in April, 2012 I would highly encourage you to read the novel first Half the delight in this catalogue comes from recognizing and remembering the artifacts as described by Pamuk, and the materialization of the objects only serves to underscore his powerful ability to evoke time, place, and artifact.The minute I saw the photograph of the Museum itself I thought Ah There is F sun s apartment building , and throughout the catalogue I am reminded of conversations and scenes I encountered three years ago, brought back through the arrangements in boxes one per chapter of the book beautifully lit and photographed for publication Passages from the novel are sometimes quoted alongside, or explanatory notes but the images speak the novel so plainly, I m not sure how necessary that is if one has read the novel.In the fifty pages of introduction, Pamuk describes how the idea of the Museum and the novel came about, his process of collecting the artifacts from antique dealers in Istanbul and particularly in F sun s neighbourhood , and his decision to purchase the building in 1999 He talks about how his prosecution for speaking out about Armenian genocide and the mass killing of Kurds, as well as certain artistic decisions, delayed the opening of the museum contextualizing the personal, political and artistic barriers that might challenge a project such as this one.But despite these hurdles, the physical Museum of Innocence is now open to the public and Pamuk asks Why has no one else ever thought of something like this, of bringing together a novel and a museum in a single story An apt question given the fact that as far back Rousseau s Julie we have evidence of tourism based on visits to locations in fictions Julie was so incredibly popular that it spawned pilgrimage like tours to the region of Switzerland in which it is set In part, he answers his own question in his Modest Manifesto For Museums where he states Large national museums took shape and turned into essential tourist destinations alongside the opening of royal and imperial palaces to the public These institutions, now national symbols, present the story of the nation history, in a word as being far important than the stories of individuals This is unfortunate because the stories of individuals are much better suited to displaying the depths of our humanity It seems to me that a museum based on a novel faces two hurdles to being taken seriously 1 As Pamuk says, museums are conceptualized for the display of history rather than story and thus funded by states and institutions who have this conception of artifcat, and 2 The novel, because it is story and made up is not seen as an adequate representation of history Never mind the fact that the novel and to some degree personal essay and poem is the only vehicle through which we can understand the interior metaphysical state of previous generations, which is no less important than the exterior factors which shape their physical lives But in mass culture we must struggle with this whether that is controlled state or media consumerism that our stories matter And that our stories are the artifacts which fix time and place in a way that physical objects can t.Pamuk s marriage of story with object provides us with a meditation on time, art, artifact, and humanity But interestingly enough, for a story about lovers, it is very little to do with love of a person so much as love of and nostalgia for a particular time and place I think Pamuk is simply genius, and this museum catalogue is a must have for those of us who love fetish boxes, meditations on history, and the melancholy of human drama not to mention some well articulated ideas on the purpose and future of museums in our culture. For anyone interested in Istanbul this is such a good book The photos are fantastic and reading the text it is like being there and seeing it all I gave this to a friend who had just been to Istanbul and who loved it for her 80th birthday present She is delighted with it I also gave her Orhan Pamuk s novel The Museum of Innocence which is a perfect additional gift and she is so pleased. Pamuk explores the essence of time and love and life in objects that he has collected and assembled in intriguing boxes in his Istanbul Museum of Innocence The pictures of those objects forms the bulk of the book His explanations and annotations serve as guides A delightful look and read. Absolutely loved this Although it is said that you don t have to read the novel that led to the museum in Istanbul about which this book is written, I think it just makes sense if you read the two together I really liked the novel Museum of Innocence and this book goes amazingly with that novel The pictures of the objects in the museum really help to give a flavor of having visited the museum I am not sure if I will ever be able to visit the museum in real life but after read this book, I at least don t feel like I totally missed it Very well done Mr Pamuk is a genius. Like new, but for the library stamp on the top edges Nicely covered, looks unread I m totally pleased. The culmination of decades of omnivorous collecting, Orhan Pamuk s Museum of Innocence in Istanbul uses his novel of lost love, The Museum of Innocence, as a departure point to explore the city of his youth In The Innocence of Objects, Pamuk s catalog of this remarkable museum, he writes about things that matter deeply to him the psychology of the collector, the proper role of the museum, the photography of old Istanbul illustrated with Pamuk s superb collection of haunting photographs and movie stills , and of course the customs and traditions of his beloved city The book s imagery is equally evocative, ranging from the ephemera of everyday life to the superb photographs of Turkish photographer Ara Guler Combining compelling art and writing, The Innocence of Objects is an original work of art and literaturePraise for The Innocence of Objects A most audacious and provocative take on the history of Turkish culture and politics by Turkey s best known dissenter Publishers Weekly Orhan Pamuk s The Innocence of Objects makes me want to stand up and shout It is a triumph of intimacy over sterility, depth over superficiality, and humanity over inhumanity It is also the most perfect intersection of art and literature that I have ever encountered The Huffington Post I bought the Turkish edition of The Innocence of Objects, a richly illustrated book about the museum, and have been waiting for Abrams English translation It s just come out, and Pamuk s text about the project is as illuminating as it promised to be The Design Observer Pamuk s tour de force and mind benderabout museums, art, artifice, and the place of fiction and the writer in theworld is a nonfiction narrative unlike most you will encounter A squarish volume, filled with gorgeous photographs of the museum s interior The exhibition photos are accompanied by Pamuk s lively, sometimes dazzling commentary, which ranges freely from personal anecdotes to meditations on aesthetics to whimsical memories of his fictional protagonist The American Reader The Innocence of Objects Pamuk s tour de force and mind bender about museums, art, artifice, and the place of fiction and the writer in the world is a nonfiction narrative unlike most you will encounter Virginian Pilot This volume is a highly unusual, but fascinating companion to Pamuk s latest novel It not only gives insight into how Pmuk went about planning and writing the novel, but also underscores the major themes and clarifies what Pamuk meant to say in his fine novel. A most fascinating exploration through the world of memoraibilia collected and now on display by a gifted writer, with an eternally curious mind